Paolo De Silvesetri. "Leonardo or the Universal Genius". Rome: ATS Italia Editrice. 2009.
Museum of Science. "Leonardo - Left to Right". http://mos.org/sln/leonardo/leonardorighttoleft.html. 2007.
The workshop is filled with master craftsmen, sculpting from the same marble that Michelangelo used
Upstairs in Cervietti's workshop - a veritable museum of plaster casts.
Cervietti marble sculptures are created by duplicating measurements from plaster casts.
Another Duchamp Variation
Audience Viewing the Duchamp Mona Lisa
Dada Movement: Anti-Art
Lee's Mona Lisa Chair
Tania Ledger, commissioner of the Mona Lisa Grass
Chris Naylor, designer of the Mona Lisa grass
A tan of the Mona Lisa
Another Mona Lisa Tattoo
Mona Lisa PC Motherboard
Detail of the Motherboard
Mona Lisa made from Lego
A Mona Lisa Cappuccino
Detail: Mona Lisa made from Coffee
Finished Product: Mona Lisa Made from Coffee
Creators of the Mona Lisa Coffee Art
Crowds viewing the Mona Lisa
Taking pictures of the Mona Lisa
Crowd standing before the Mona Lisa at the Louvre
Students viewing the Mona Lisa
Vacant wall when the Mona Lisa was stolen in 1911
Mona Lisa Souvenirs from the Louvre
Movie entited "Mona Lisa Smile"
Salone dei Cinquecento, Florence, Palazzo Vecchio
Georgio Vasari on the comission for "The Last Supper"
"He also painted in Milan, for the Friars of S. Dominic, at St. Maria delle Grazie, a Last Supper, a most beautiful and marvellous thing."
Giorgio Vasari on the comission for the "Portrait of Ginevra Benci"
"He made a portrait for Ginevra Benci, a very beautiful work."
Giorgio Vasari on the comission for "The Mona Lisa"
"Leonardo undertook to execute, for Francesco del Giocondo, the portrait of Mona Lisa, his wife."
Giorgio Vasari on the Comission of the "Pieta"
"The French cardinal of St. Denis commissioned Michelangelo to make a Pieta of marble in the round, and this was placed in the chapel of the Madonna della Febbre in St Peter's."
Giorgio Vasari on the "Marriage of the Virgin"
"For the church of San Francesco in the same city he painted a small panel picture of the Marriage of Our Lady...This painting contains a temple in perspective drawn with great care and devotion and showing what amazingly difficult problems Raphael was ready to tackle."
Giorgio Vasari on "The Assumption of the Virgin"
"For the church of the Frari Titian painted an altarpiece for the high altar showing Our Lady ascending into heaven and below her are the twelve apostles who are watching as she ascends."
Study of a Tuscan Landscape c. 1473
Design for a Flying Machine c. 1488
Study of a Figure for the Battle of Anghiari c. 1503
Studies of Water c. 1508-09
Study for the Head of Leda c. 1505-7
Views of a Fetus in the Womb c. 1510-12
